I am of an age where my memory has been somewhat selective. I have professed to my children that the music from the Sixties was far better than any decade since. I had forgotten that the 60’s had its share of “bubble gum” music. The Bikini song, Alley Oop, Monster Mash, Mr. Custer.
True there were a few interesting years from 1964 to 1969, but that was only half of the decade. And frankly, the decade ended badly.
Itsy Bitsy Teeny Weeny Yellow Polka Dot Bikini
by Brian Hyland (1960)
She was afraid to come out of the locker
She was as nervous as she could be
She was afraid to come out of the locker
She was afraid that somebody would see
Two, three, four, tell the people what she wore!
It was an itsy bitsy teenie weenie yellow polka-dot bikini
That she wore for the first time today.
An itsy bitsy teenie weenie yellow polka-dot bikini
So in the locker she wanted to stay.
Two, three, four, stick around we’ll tell you more!
She was afraid to come out in the open
And so a blanket around her she wore.
She was afraid to come out in the open.
And so she sat bundled up on the shore.
Two, three, four, tell the people what she wore!
It was an itsy bitsy teenie weenie yellow polka-dot bikini.
That she wore for the first time today.
An itsy bitsy teenie weenie yellow polka-dot bikini.
So in the blanket she wanted to stay.
Two, three, four, stick around we’ll tell you more!
Now she is afraid to come out of the water.
And I wonder what she’s gonna do.
‘Cause she’s afraid to come out of the water.
And now the poor little girl’s turning blue.
Two, three, four, tell the people what she wore!
It was an itsy bitsy teenie weenie yellow polka-dot bikini.
That she wore for the first time today.
An itsy bitsy teenie weenie yellow polka-dot bikini.
So in the water she wanted to stay.
From the locker to the blanket,
From the blanket to the shore,
From the shore to the water
Guess there isn’t any more.
- Georgia On My Mind by Hoagy Carmichaeperformed by Ray Charles (1960)
- Hit The Road Jack by Ray Charles (1961)
- Lily of the West, Traditional, performed by Joan Baez, (1961)
- Johnny Angel, by Shelley Fabares (1962)
- Duke of Earl, by Gene Chandler (1962)
- Puff the Magic Dragon, lyrics by Lenny Lipton, performed by Peter, Paul and Mary (1963)
- There but for Fortune, by Phil Ochs, version by Joan Baez (1963)
- I Want to Hold Your Hand, by The Beatles (1964)
- I Get Around, by The Beach Boys (1964)
- (I Can’t Get No) Satisfaction by The Rolling Stones (1965)
- Eve of Destruction by Barry McGuire (1965)
- For What It’s Worth, by Steve Sills, performed by Buffalo Springfield (1966)
- California Dreamin’ by The Mama’s and The Papa’s (1966)
- Outside a Small Circle of Friends, Phil Ochs, (1967)
- White Rabbit, by Jefferson Airplane, (1967)
- Hey Jude, by The Beatles, (1968)
- Mrs. Robinson, by Simon and Garfunkel, (1968)
- Sugar, Sugar, by The Archies (1969)
Build Me Up Buttercup, by The Foundations (1969)
Why do you build me up (build me up) buttercup, baby
Just to let me down (let me down) and mess me around?
And then worst of all (worst of all) you never call, baby
When you say you will (say you will) but I love you still
I need you (I need you) more than anyone, darlin’
You know that I have from the start
So build me up (build me up) buttercup, don’t break my heart
“I’ll be over at ten, ” you told me time and again
But you’re late, I wait around and then (bah dah dah)
I went to the door, I can’t take any more
It’s not you, you let me down again
baby, baby, try to find
(Hey, hey, hey) a little time and I’ll make you mine
(Hey, hey, hey) I’ll be home
I’ll be beside the phone waiting for you
Ooh ooh ooh, ooh ooh ooh
Why do you build me up (build me up) buttercup, baby
Just to let me down (let me down) and mess me around?
And then worst of all (worst of all) you never call, baby
When you say you will (say you will) but I love you still
I need you (I need you) more than anyone, darlin’
You know that I have from the start
So build me up (build me up) buttercup, don’t break my heart
You were my toy but I could be the boy you adore
If you’d just let me know (bah dah dah)
Although you’re untrue, I’m attracted to you all the more
Why do I need you so?
baby, baby, try to find
(Hey, hey, hey) a little time and I’ll make you mine
(Hey, hey, hey) I’ll be home
I’ll be beside the phone waiting for you
Ooh ooh ooh, ooh ooh ooh
Why do you build me up (build me up) buttercup, baby
Just to let me down (let me down) and mess me around?
And then worst of all (worst of all) you never call, baby
When you say you will (say you will) but I love you still
I need you (I need you) more than anyone, darlin’
You know that I have from the start
So build me up (build me up) buttercup, don’t break my heart
I, I, I need you more than anyone, baby
You know that I have from the start
So build me up (build me up) buttercup
Perspective
I love the double and triple meaning of words. “It all depends upon your perspective.” What does that mean? Converging railroad tracks in the distance? Or, what you see depends upon where you stand. Generally, I know this to be true, there is a far better chance of understanding if you can actually see the problem.
So, having a place to stand, allows you to see. Changing perspective allows you to see more of a thing. I remember one of the things that stuck with me after reading Heinlein’s “Stranger in a Strange Land” was the concept of a Fair Witness. Someone who was trained to tell the absolute truth. Ask them what color a house was, and they would reply, “the color I see reflected on this side is off-white!”. It could have been painted blue on the back side. A change of perspective would have allowed that to be seen.
Often we extend our “sight” to our “thought”. Our vision of history is not only from our personal experience, but also from what we have read and heard. When we throw in a well produced film or video, it is almost as if we have seen it personally. That can be a slippery slope.
Gathering a balanced perspective in history can be difficult when the victors are the only voices. Emphasizing the other side without facts also creates a dilemma. I try as hard as I can, but I can’t read what is not written. And I suppose I can’t fully trust what is written without knowing the specific perspective.
I’m writing this now after I’ve just listened to “Murder Most afoul” by Bob Dylan. It was written and recorded almost a decade ago, but Dylan just recently released it. It’s a rather long ballad about John Kennedy’s assassination. It brought me back. While I wasn’t an adult, it probably was my first “adult-like” thought. I had a first hand experience. I followed the news, I watched the press conferences, I saw Ruby shoot Oswald in the parking garage. It was multiple murders most foul.
From my perspective things might have actually started to spin out of control from that point. A few flashes of brilliance, but mostly darker going forward. RFK, MLK, Vietnam, Chicago, Kent State, Nixon, Agnew, on and on…
It’s a personal perspective that hasn’t changed much from what I’ve seen and read since. I hope I live long enough to see a paradigm shift, where things are building, more then they are falling apart.