“Well, I’m not surprised. Did you perhaps take any theoretical physics classes? Do you have a vague understanding of ‘string theory’? Are you at least aware of the electrical activity of your physical brain?”
“Yes, of course. I know about synapses and maybe a little about dementia. I’m not so sure about psychosis, and perhaps what I’m experiencing right now.”
“Okay then, one more time. You’re dead, or at least your body has died. This isn’t heaven, or even purgatory. Maybe they both exist, but for right now, this is what you have. The essence of who you were was a collection of electrical charges that continued outside your physical body, and found itself in the electro-mechanical properties of what we might call the ‘fifth dimension’, not the group you might remember, but a couple of dimensions up from the three dimensional world that you knew so well.”
“Umm, how do you know this?”
“Great question, I don’t know. We don’t have books, and no internet, I wish I knew what that was like. Everything so far seems to be a thought download from others, who have been here longer. In a way, it’s like an ‘oral tradition’, except we don’t really speak, or hear. You might notice that my lip memory is a little out of sync from the thoughts that I’m communicating to you. I’ve been here long enough that I’ve forgotten some physical controls.
You are going to meet some people that don’t even bother with lips or ears. In fact, some go all the way, becoming glowing balls of electrical light.”
“Yeah, I’ve seen that on the way here, in fact, I was surrounded by them at first. They seemed to know me.”
“Sure, they were your direct ancestral family. Electrical DNA is still a thing. It’s a lot easier to connect, or maintain connection. Close friends somehow make the connection as well, so some of those that greeted you might have been friends from the past. It’s a bit of a shock, so maybe… well, don’t be too hard on yourself if you don’t understand. Haha, “walk towards the light,” and all that!”
“Umm. No one said walk towards the light. I just remember going in for a procedure, then waking up here.”
“Well, everybody is different. Oh, by the way, I’m your great grandfather, mother’s side, call me Michael.”
“Really? Damn, no one knows anything about you. You left a wife and six kids two years after you came over. People think you went to Canada and were eaten by wolves.”
“Almost true, I was looking for work, for several months, I got drunk and joined the Canadian Army, went to France and got gassed. Then I was here.”
“So, you’ve been here awhile?”
“Well, time is more of a ‘fourth dimension’ thing. As eternal creatures, we begin to restructure our thoughts about time. It’s accurate enough to say that I’ve been here awhile. It’s nice to know that I’m still remembered.”
“Not in a good way!”
“Your great grandmother is here, and she seems fine with me. Of course she has more experience with my electrical essence.”
“Are your flaws also recorded?”
‘“Every thought and deed is recorded. It is what it is.”
“Okay, okay, so just tell me. What’s next? What am I supposed to do? Where do I go? Am I waiting for something? Is there like… a judgement or something?”
“Dunno, maybe. So far, I’ve only noticed one thing.”
“Well, tell me! I want to know!”
“Um, well… sometimes you can see some people slowly fade. I mean their image fades. Doesn’t seem to matter if they have kept their body image or the ‘ball of light’, they just seem to slowly discharge, then ‘poof’, they are gone. I’ve seen it myself, hundreds of times, maybe more. Again, it’s just something I know, counting is not the answer. It isn’t true because of numbers.”
“Well, we aren’t exactly solid anyhow, transparent is more accurate. But you say that we can get more transparent, and then we are gone? Do we go somewhere else?”
“Well, if we are eternal, then yeah, we probably go somewhere else, but no one has come back to explain it. It just happens.”
“It happens to everyone?”
“Well, yes and no. Again, time is a slippery thing here. But I’ve been told that Socrates, Plato, and Aristotle still hang out, and they don’t seem any the worse for wear. Then again, others seem barely visible.”
“This can’t be happening, there must be some rational structure. There has to be reasons for things. Tell me what most people who have been here a while, what do they think?”
“Okay, okay. There are theories, but only theories. It seems that our electromechanical connection in this fifth dimension is connected to the electromechanical structure back there in the third dimension. Not sure how that works, but it seems to be true.”
“Tell me more.”
“Back there we were created as a unique person, our physical bodies created electromechanical impulses that extend here. When we left there, that gave us only our electromechanical essence here, but not maintained by our physical body because that was buried or cremated. Are you following this?”
“Yes, of course. Wait, so what is our connection back ‘there’, if we have no physical body?”
“Exactly… good question. Memories! Other people’s memories, which are still electromechanical and somehow sustain that connection to those of us that haven’t faded.”
“Wait…so you are saying, because my family remembers me then I get to be who I was, here in this place?”
“Well, it’s a theory.”
“And I suppose, if you somehow managed to write a book, or get discovered as a long lost poet, then you don’t fade away?”
“Yes, it does explain why some people seemed to fade, and then mysteriously come back stronger, only to fade again. Can’t really be sure because we can’t know what is going on back there? It’s all conjecture.”
“So, souls are connected, and if you are forgotten there, you disappear here?
‘“Yep, pretty much it. Except, the Electromechanical DNA factor changes things, sorta. Who we are here, is based upon the person we were from our existence… and the electromechanical essence created by others who only read about us is based upon their memories. Something gets lost.”
“This is getting weird. I am who I am!”
“Careful there, only one essence can actually say that…”
“God, are you talking about God? Is he here? Can we go see him?”
“Umm, maybe. No one seems to know. It seems reasonable.”
“This just got weirder. Are you telling me that we can tell when we are forgotten? And we can tell the difference between the family remembering us and when someone else just reads a book, or sees a movie about us.”
“That wasn’t so hard, it’s taken others a lot more time to get this, if we had a better sense of time in the first place.”
“So, our purpose here is only to wait, and watch until we fade away, and then we move on to some other place. Unless we are recreated as a fictional memory, then we are stuck here until media itself disappears back there?”
“Well, maybe. It’s hard to say. Physics in the fifth dimension doesn’t seem to be an exact science.
I can’t say for sure, but I get the feeling that maybe someone in my own family never knew of my existence, except in the sense that I must have existed because DNA got passed along. Then, suddenly, old records popped up, maybe a photo or two. Then I get mentioned at some family dinners. And here I feel more like me, like the person that I remember. I’ve been told that the fictional electromechanical essences know that their real essence is gone, but they don’t have any memory of it.”
“At least that’s the sense of the last download I remember. See that? I can explain this so much better with the new technology of your time. Download is so much more accurate than how this was explained to me. We talked about “essence letters” back then, potentially very confusing. What language were they in? Was it paper or parchment?
“Can I take a nap?”
“Always.”
(From a partially awake dream)














I’m a Big Fan
I’m a big fan of Annie Dillard. I read most of her work in the 1980s, “Pilgrim at Tinker Creek” and “Teaching a Stone to Talk”, to name a few. I really was fond of her short stories, never quite sure that she was just fortunate to document some interesting people, or that she just brought out their interesting sides. And of course, as a writer she could have simply invented the entire character.
One particular short story was abou a man, I think living alone in a cabin, that had found an interesting stone on one of his walks, (it may have been down by the river). He brought the stone back to his house and put it on his mantle. Then he studied the stone, the more he pondered, the idea began to take shape that he would begin a process of teaching the stone to talk.
Each time he would take ten minutes to vocalize sounds and syllables, building up to words and sentences. He was at it for quite awhile. The story stuck with me for years. I’m not sure the person was real, or that he really tried to teach a stone to speak. The idea of it delighted me. I was thirty.
Now, forty years later, I have other thoughts. I still appreciate the unique “out of the box” thinking, but it comes through a filter. The dedication, or discipline, to start a process of teaching a stone to talk without considering the possibility of success is admirable. Assuming that the stone wants to communicate with us is slightly egocentric. It seems to me now, that the stone is an unwilling participant. In protest, I might not speak as well.
The next thought I have is on whether the stone is already communicating, but we are not going to listen until it speaks our language. More ego-centric concerns.
This morning I followed a thread. I would like to describe thread to you. I have a tool box, filled with files, chisels, implements to shape objects. I had left the toolbox in torrential rain, and now I paid the price. Everything had soaked in water for days and was now fully in the process of rust. The first part of the thread is that I really liked these tools and had used each one in various projects. So I patiently cleaned and re-oiled each one. I haven’t found a new toolbox yet.
The second part of the thread is that I thought about how I had used these tools in the past. The list went on for a while, but I lingered over how I had used these tools to sculpt small pieces of soapstone.
The third part of the thread was my recent study of the Second Commandment, “thou shall not have graven images of anything above the earth, on the earth, or in the sea.” Well, that seems specific. In fact, there has not been one example of a Jewish statue found it antiquity. Lots of Roman, Greek, Egyptian, Assyrian, Canaanite… but nothing in Israel.
Clearly statues of people can become idols, but so can some animals/objects. And forty years after the commandment was given, God told Moses to put a “fiery serpent” on a staff for all to see, and to cure them of snakebite. I’m pretty sure this was a graven image, so did God change his mind?
This thread challenged my self identity. I had always thought of myself as a maker of graven images. Sometimes using only my hands with clay, mostly using stone with hand tools.
The fourth part of the thread is going to the front porch to find that chunk of soapstone that had been there for at least five years. There it was, hiding under the table. So then, I carry it to the back porch where all my resurrected tools are waiting, and I prepare to make something.
My process is to look very carefully at the stone, turning it around several times in my hands. I’m looking for any cracks or veins that stand out. How solid is this piece, how stable? Then, I ponder about what figure is hidden within the stone? The famous Michelangelo statement. what is the stone saying to me?
This is when the thread comes back to Dillard’s teaching the stone to talk.
So, I start to use the tools to begin shaping something. I’m really not sure what it might be. I’m making some very general reductions, I’ve determined a base, and now I’m beginning to rough out an object, nothing defined, not man, women or boy. Not plant or animal. So far, just an object connected to a base. I’m using s small hammer, a saw, and a “pointing” chisel. Tapping the chisel gently removes small chunks. Filing or carving, creates tons of dust and takes a long time to rough out an object.
I’ve got about an hour into the project, and I was just about to chip off a small piece that would give the final edge to help define the future object. One small tap, and the piece broke off, then the entire cube of soapstone also fractured right down the middle, creating two almost equal pieces. The stone had spoken, I was not going to have enough real estate to make any of the future objects I was contemplating.
The stone had communicated with some finality. I didn’t like it, and at first I was a little miffed that I had not seen the “flaw” that created the fracture. That is some more ego-centric based thought. It was a flaw because it foiled my predetermined plan to make something. It wasn’t a flaw to the stone, it was just a line of fracture should there come a time when the stone was turning into dust. Very natural.
The final thread was to revisit Annie Dillard and her story of stones that refused to talk. But maybe I just heard one this morning.